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Adam Overtona abilities — acknowledgment, action — adam am, and angeles artist awareness, based between bodymindperson by challenges — [co]existence — composer contact continually depths distance, experimental experiments fascinated: fueled, I, in individuals intimate is living — los maps massage music — my — of overton performer playfully plumbs practices, presence radical rhythm, subjects teacher — the therapist — through transformative various with work.
Some ongoing projects and community involvements include:
... the establishment of the experimental meditation center of los angeles, which sporadically hosts small, private gatherings to engage in a variety of experimental artist-led activities ...
... the subtle bodies series, an ongoing series of investigations featuring subtle, barely-noticed experiments in sound, movement, action, and energy within public spaces, led by artists, performers, choreographers, and sound artists ...
... the maintenance of and contribution to Upload .. Download .. Perform . net (http://uploaddownloadperform.net), an online wiki-repository for artists, composers, choreographers, et al, to share contemporary experimental performance scores (est. Oct 2008) ...
... artSpa, a sporadic public interface for art-and-then-somes - artists living double-lives as bodyworkers, yoga teachers, psychics, healers, and new age dabblers - involving artist-run walk-in clinics, workshops, experimental meditation groups, new age aesthetics panels, touchy-feely music events, and more, plus the creation of the artPlus list-serv (since May 2007) ...
... the collaborative, traveling experimental music & massage series, that combines traditional chair massage with "therapeutic" experimental music performances by local and visiting composer/performers ...
Some upcoming projects include:
... the collaborative project Signify, Sanctify, Believe, with Tanya Rubbak and Claire Cronin, featuring the work and gentle, creative, temporary religious manifestations of many other artists, at the Church of Public Fiction (April-May 2011) ...
... the development of the Experimental Leadership Forum (ELF) with Elana Mann, featuring clinics and workshops for artists in topic areas generally only offered to professionals in the fields of law, mediation, diplomacy, community organizing, etc (Spring or Summer 2011) ...
... the publication of the bathroom and the sea, in collaboration with artist/designer Tanya Rubbak, featuring the work of over 40 artists (Summer/Fall 2011?) ...
Recent projects and performances have included:
... participation in Brody Condon's latest project, LevelFive, a 2-day Live Action Role-Playing (LARP) experience at the Hammer Museum exploring the dynamics of the self-actualization seminars of the 1970s, in collaboration with Nordic live action game designers Bjarke Pederson and Tobias Wrigstad ...
... an overnight Dream-In at the Hammer Museum (1-2 May 2010), involving artist-led workshops in various dream modalities, evening and morning concerts, dream re-enactments, and more ...
... a musical minimum festival at the wulf. in Los Angeles (28 Feb 2010), featuring minimal interpretations of experimental music & performance with indeterminate elements ...
... the production of an artSpa energy assessment for the Hammer Museum in Los Angeles (Fall 2009, released 2010), in partnership with Machine Project during a year-long engagement at the Hammer; the assessment employed several artist-psychics, -intuitives, -channelers, -ghost-hunters, et al, in order to energetically map the institution, and to provide actionable suggestions for improving the energetic interface for all visitors, spirits, and museum administrators ...
... participation as a board member of the experimental music space, the wulf., and participation in group brainstorms for various projects with Machine Project. In addition, I was a board member of the gallery and project space Sea and Space Explorations in Highland Park (2008-2009), and on the advisory committee for the interdisciplinary body-based residency program Genesis Project LA (2007-2009) ...
... experimental music performances as part of the Dogstar Orchestra, an annual Summer festival at CalArts (June 2006-2010) ... participation in the Eternal Telethon (July 2010) ... performances of scores with Mark So at the Torrance Museum as part of Presence (June 2010) ... artSpa workshops for artists at FOCA as part of the exhibition Performing Economies (Summer 2009) ... experimental music & massage at LACE, as part of the Resonant Forms Festival of electronic music (April 2009) ... performances of several works at the John Donald Robb Composers' Symposium at UNM in Albuquerque (March-April 2009) ... participation in the ridiculously massive, one-day happening, A Machine Project Field Guide to LACMA (LACMA, Nov 2008) ... participation in Elana Mann's election-based performance project, Exchange Rate: 2008 (Oct & Nov 2008) ... two days and one night of moonshot meditation, lunar warlock ritual, and spring tide syzygetics at artSpa Resort & artSpa atNight (Sea and Space Explorations, July 2008) ... as well as live performances in festivals and events in Beijing, Bergen, Berlin, and London (2004-present).
Many of my text-scores, as well as images from my performances, have been published in:
. Antennae Journal 11 (May 2010), a collection of texts, performance scores, and poetry, ed. Jesse Seldess
. itch dance journal #10: MANIFESTO (Winter 2010), eds. Taisha Paggett, Meg Wolfe, and Sarah Wolf
. A Machine Project Field Guide to LACMA (Dec 2009), eds. Mark Allen, Jason Brown, and Liz Glynn
. Out of Nothing, Issue #1 (2009), "an electronic publication featuring new works in image, sound, text and the digital arts, as well as works located at the intersections between these media."
. Natural Born Fluxus (Nov 2008), an anthology of childhood-related scores, ed. Cecil Touchon
. i left this here for you to read #7 (Fall 2008), a randomly distributed 'zine, ed. Tim Devin
. Possibilities of Action: The Life of the Score, an exhibition of scores at Museu d'Art Contemporani de Barcelona (MACBA) (June-Oct 2008), curated by Barbara Held & Pilar Subira
. maulwerker performing music (Berlin, July 2008), in performance and on notecard
. invisible performances pamphlets, a series of free pamphlets composed for Machine Project interventions at an art-faire, craft-faire, book-faire, and LACMA-happening (2007-2008).
. Other scores and writings have also appeared over the years in FOARM Journal of Arts & Research, Ratsalad Deluxe, Leonardo Journal, Contemporary Music Review, and UCLA's Extensions Journal.
Teaching
I'm an adjunct instructor covering a variety of subjects at colleges around Los Angeles; recent school and topics have included OTIS College of Art (performance art, sound art, electronics and superpowers), College of the Canyons (introductions to design and multimedia tools), Art Institute of California (computer programming and shell-scripting), and ITT Technical Institute (3D modeling, game design, project & portfolio development, etc). I have guest lectured/workshopped at UCSD, USC, OTIS, CCA, and Columbia College Hollywood.
. . .
I'm an MFA graduate of the Experimental Sound Practices (ESP) program at the California Institute of the Arts (2005).
for more information, please visit http://plus1plus1plus.org
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